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The transfer from the bus to the subway went smoothly. 

There weren’t many people at the gates, and those that were there really did resemble robots, blinking earbuds sticking out of their ears, unmoving eyes staring at phones in their hands or wrapped around their wrists, and weren’t much aware of their surroundings. We approached one of the gates. “You need to hug me from behind,” said Tia in a defiant tone, “but no grabbing, all right? And we will just step in unison so there’s no distance between us.”  I put my hands around her shoulders, said “One, two, three!” and tried to advance in lockstep to the gate. We stepped through clumsily, almost fell down and must have looked very funny if anyone were paying the least bit of attention. We couldn’t resist bursting with uncontrolled laughter as we were stumbling through, despite everything that had happened today. Oh boy, I really needed that laugh. I felt much better as we got through the gate in one piece, so to speak. We entered the next train and grabbed a pair of seats. 

I looked at Tia and now that my panic was over, and my personal event horizon had reached farther than surviving the next ten minutes, I was seeing her in a different way. And I realized that I didn’t want to lose track of her. She helped a total stranger with a crazy story and was cool about it. And she was clearly having fun doing it. That doesn’t happen every day. There is something special about her. If nothing more, I really needed a friend like that. Seriously, these were my thoughts at the time. A friend. Can a guy be more clueless, not just of the universe but of his own mind?

“Listen… Thanks again.” I said, not sure how to continue. “You don’t know what you did, for you that was just a small thing, but it meant a lot to me. Could you give me your phone number or email so I can reach you when this is all over? I’d like to thank you properly sometime.”

She was quiet for a few seconds, thinking. “OK,” she said, reached into her backpack and dug out some pen and paper. Yes, pen and paper, I kid you not. That was cute. She scribbled her phone number on it and gave it to me. “Call me when you get a new phone and your panic attack is over. We’ll think of something…”

My stop was coming up soon, so I stood up and advanced toward the doors. The next moment all the lights went off and the train shuddered to an abrupt stop. Passengers fell on top of each other, screaming in surprise and fear. Once the sparks flying from the ceased wheels outside died off, the sudden darkness engulfed everything. The echoes of the screeching metal slowly subsided down the dark tunnel.

“What the hell?” I mumbled. After the deafening screeching of the emergency brakes and the passenger screams, the train was eerily silent. The train was fully automatic and there was no driver to reassure the passengers or explain what had happened. And no one to call for help. Emergency communication button, marked by a bright yellow and red signage, and normally glowing in reassuring green, was dead. It seemed like the whole train had just convulsed in the tunnel, shrieked, and died. Weak emergency lighting flickered on tentatively, and then after a few seconds went out too. The references of the things dying started to worry me. People were getting out their phones and the subway car started filling with weird dancing shadows from the flashlights being jerked around. It was a total chaos. Like being in a dance club, but with noise-cancelling headphones. And no dancing.

I approached the closest doors and found the emergency release handle, unlocked by the power outage. I pulled it hard and the doors opened into the pitch black tunnel. I turned around and saw Tia standing a few meters behind me, eyes wide open but lips tightly pressed together. She looked shaken but not on the verge of panic yet. I realized that what I was going to say may change it for the worse, but there was no way around that.

“Look, it’s just too much to be a coincidence,” I said as I made my way back to her, “I don’t know how they are tracking me, but if they are able  – and willing – to stop a train just for my sake, almost nothing will stop them. They tried to kill me twice today, and I’m not waiting here like a trapped animal. I’m getting out. You can go with me or stay, of course, but I hope you come. I don’t know who is chasing me, but I am sure they won’t be long and I don’t want to meet them. I will use the opportunity to check if those subway rats are really robots. Come on, it’ll be fun!” 

It didn’t even occur to me that it might not be safe for her to be around me today. Maybe it was safer for her to remain on the train. Hindsight is 20/20 after all. But then I just didn’t want to be all alone in that dark and scary tunnel, where something might be coming for me and I wouldn’t even know what it was and why it wanted me dead. She hesitated. 

“I doubt they will blow up a train or something, or ram another one into it just because I happen to be here,” I added, “but who knows, they just might. I think we should go. Also, I don’t have a flashlight, so I can’t see anything out there. I need you and your phone.” 

Yes, a clumsy manipulation, but I hoped that if she feels her help is needed this might sway her decision in my favour. Besides, I did need the light.

I hesitantly lowered myself to the tunnel floor. It was damp and overall unpleasant. Tia did follow me, noticeably tensing as her phone’s light illuminated stained concrete walls and far ahead, on the border of light and shadow, where the imagination starts inventing monsters of various kinds, something small and positively rodent-like retreated farther into the shadows.

“Come on,” I said, “we should not be very far from the next stop, let’s just walk there and get out of here. If you give me the phone, I can lead the way.” 

It felt good to be responsible for someone, even if I had very little idea about what I was doing, and I was getting even more afraid of my unknown adversaries than I had been before. I mean, how did they know where I went? The only way I could even imagine was through the ever present CCTV cameras in the subway and Square One hub. It meant that they have live access to face recognition software running on the systems which were not supposed to have remote access. This was a scary thought, which also meant that I needed to change my appearance, and do it fast. But first, I needed to get out of the tunnel. Light began filtering into the tunnel from somewhere up ahead, so we must have been getting closer to the station. I found some steps leading up… Well, maybe the steps found me when I bruised my leg on something, almost fell, swore in Russian, then noticed the stairs. We went up and reached a small metal door with a simple mechanical lock. Looked like from this side no key was required, so I twisted the handle, and with an incredibly loud squeak the door opened into the blinding world of pure whiteness. We froze in the doorway and shielded our eyes. 

It took us many very long seconds before we could see around us. I let the door go and it locked itself with a metal clank. We were standing at some kind of a service entrance in a busy street with cars, people, and all other things a self-respecting street should have: shops, traffic lights, pedestrian crossings, moms with strollers, noisy kids, a couple of aging hipsters on e-scooters, and yes, inevitably, CCTV cameras.

Just as that thought had struck me, Tia pulled a pair of sunshades out of her backpack and put them on with a sigh of relief. 

“Tia, I really really need those.” I said apologetically. “Pretty please! I don’t know what’s going to happen if the next CCTV camera sees me. You know, those e-scooters might have autopilots too. Do you want us to be attacked by a horde of zombie hipsters?” 

It wasn’t that funny, but I tried and she cracked a smile out of pity. 

“OK, take them before I change my mind. They have rhinestones, you know. I like them.” 

I gratefully took the sunshades and put them on. Tia also fished out a bandana (naturally it was black, with black patterns on it) and tied it on my head in a pirate fashion. 

“How do I look?” I asked innocently. 

“Dashing,” Tia said with the cynical intonation that meant the complete opposite. “Now what?” she inquired, clearly yielding control over this adventure to me.

That was a damn good question…

12 Comments
  • K
    Posted at 14:01h, 15 June Reply

    I can come with me or stay, but I hope you’ll come

    Sckould be “you can come”

    • roman
      Posted at 16:12h, 15 June Reply

      Thnaks, typo fixed

  • KONSTANTIN
    Posted at 15:45h, 15 June Reply

    Art should apply a bit more logic to predict how he can be killed in an unpowered train in the mid of a tunnel. If his imagination is powerful enough to think about the next train speeding through the tunnel then he should count seconds and warn others to run for their life.
    Otherwise he is lucky enough not to hear the crash behind and he should read about it in the news in the next chapter.
    If no crash, then the actions of aliens have no reasons. How they were going to kill him?

    That was my thoughts when I was reading through the train part.

    • roman
      Posted at 16:17h, 15 June Reply

      The train hack is done to stop and contain him, not to kill him. He assumed that someone is coming to get him. If he gets out on any station – he might be lost to the pursuers. Stopping the train tied him to a precise spot. Either someone is coming to get him there, or they will wait for him at the only place where everyone else would be evacuated to. He decided not to wait for the either outcome.

      • Konstantin Medvedev
        Posted at 08:23h, 17 June Reply

        After two cruel attempts to kill Art (the other driver should also be killed) I would expect increasing intensity of disaster.

        • roman
          Posted at 11:20h, 17 June Reply

          Initial plan was to have some pedestrian ramming attempts but then I came up with a subway. I could add a ramming when they walk from the bus to the subway… The problem is that Art would know about face recognition software tracking him, and then he’d come into the subway with dark glasses etc, so the would not be able to track him down in a subway. And that’s needed for the subway scene.

  • alexanderivanov3897
    Posted at 14:42h, 25 June Reply

    Interesting question: do subway cars have Emergency Lighting? It should be automatic and fully autonomous. I don’t think they may be switched off remotely.

    • roman
      Posted at 14:58h, 25 June Reply

      I’m sure they do, in my book they flicker on and off again – in future everythins is networked, so they are wither hacked and disabled, or just not maintaned well and broken.

  • Konstantin Medvedev
    Posted at 08:20h, 26 June Reply

    pen an paper. > pen and paper.

    • roman
      Posted at 11:13h, 26 June Reply

      will correct

  • Konstantin Medvedev
    Posted at 08:53h, 26 June Reply

    Very poetic, possible to imagine but far from reality: “The echoes of the screeching metal slowly subsided down the dark tunnel.”

    If the actors are in a train full of others who are screaming and complaining…
    Plus the train cars are insulated against the noise…
    Usually there is a residual noise coming from the train itself while it has remaining vibration and swinging. The construction is clicking.

    PS: Why this engine doesn’t send your replies to my email? I find them only if i turn back to the chapter.

    • roman
      Posted at 11:13h, 26 June Reply

      Not sure about the email… There’s no setting for this.

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